The Love Song of Luc Carlin With help from J. Alfred Prufrock
Locations
1.
Let us go then, you and I,
When the dawn is spread out across the sky.
On certain half deserted, late night flights,
The muttering plights,
Of restless, sterile nights
In extended stay hotels.
To meetings that follow tedious arguments
Of contractual intent
That lead us to another and another
Underwhelming question
Or two.
On the speaker-phone the voices come and go
With never a mention of Michelangelo.
And indeed there will be time
For deadlines and timelines and project design lines.
There will be time, too much time
To prepare a face to meet the faces that you meet.
To present, to pretend, to extend
A hundred visions and revisions
To a hundred indecisions.
On the speaker-phone the voices come and go
With never a mention of Michelangelo.
And indeed there will be time
To wonder, “Do I dare?” and “Do I dare?”
Time to turn back and descend the stair
And ponder, should I dye my hair?
Should my jeans be tight or loose?
What are Uggs and who is Juicy Juice?
And will the L.A. agent care?
Do I dare
Disturb the admin to the assistant’s,
assistant to the universe, at all?
And if I do, will he or she
Return my call.
2.
For I have known them, known them all
My day job’s days
Mornings and afternoons inert
I have measured out my life with shovelfuls of dirt.
And I have known the eyes already, all young
The eyes that fix you in a formulated pitch
A single, high concept, through line,
Active characters and a third act switch
And when I am pinned to the couch and hung
How should I have begun
To spit out the butt-ends of my stories bones.
How could I presume,
And why did I digress,
And a hundred other questions
About my lack of talent and success.
Shall I stay, and say that I have gone
On construction sites and mid-night flights
And watched the scuttling reader board displays
Across the floors of silent terminals
Among fat, lonely men with lap-tops
Listening for delays.
Do I admit the anonymity of airports,
The empty bars,
The unobtrusive distance of work colleagues
Are tempting, easy vices.
Do I have the strength
To force the moment to it’s crisis.
But though I rage and scheme
And ring my hands in anguish.
Does it really matter?
Am I talented, can I command a room
Am I getting fatter.
I have seen the moment of my greatness flicker
And sometimes on the speaker-phone, I hear the young men snicker
And in short, I am afraid.
3.
And would it have been worth it, after all
Would it have been worth while
After the hours on the keyboard
Wishing and missing to write
Exactly what I mean
Is the magic lantern real?
Or shadows of a dream?
And have I really tried?
Have I tried hard enough
To squeeze the universe into a ball
Or have I simply said,
“That is not what I meant,
That is not what I meant, at all.”
Not since high school have I
Aspired to be Prince Hamlet
In a City of Prince Hamlets
I beg the favor of Attendant Lords’ attendants.
Deferential? Glad to be of use? An easy tool?
Yes, yes and yes
In short, the fool.
I grow old… I grow old…
Should my designer shirt be rumpled or have a fold
Should I wear sunglasses on top of my head?
Are they the right shape, out of date?
Am I dead.
I grow old and my sons grow old
I should come home and skip stones
On a wild, Northwestern beach
I have grown weary of Santa Monica’s roller blade screech
I will listen hard for the Mermaids singing, each to each
And if they do not sing to me
I will stop asking why.
I will linger in the chambers of my true life
My friends and my home town
Where human voices wake me, before I drown.